THE DANCE + SOCIAL JUSTICE CONFERENCE
IS A MOVEMENT TO EXPLORE AND CELEBRATE THE INTERCONNECTEDNESS OF THE BODY, CREATIVITY, HUMAN RIGHTS, AND SOCIAL JUSTICE.
What if, through dance, you could change the world?
Join a growing group of dancers and activists dedicated to making radical impacts across the globe.
Experience, explore, engage with experts, connect with your body, build a new kind of creative community, build resilience, move for freedom.
This year’s theme is RESILIENCE.
Through times of adversity and even violence, humans create. We raise our voices in unique ways. We dance to resist oppression, remember what's lost, heal trauma, claim our space, and move forward resiliently. This human capacity to move and create connects us and can inspire us.
The conference has two parts:
The experiential workshop, co-presented by FREE BODY PROJECT and Gibney Dance, is an exploration of three movement methodologies from thought leaders in the field of dance and social justice. The workshop offers a rare opportunity to engage with unique approaches to movement, resilience and positive change while connecting with your body and building your own internal resilience.
The Speaker Series is an interactive platform for sharing the work, approaches, experiences and stories of dancers and change makers moving for a better world. Our inspiring guest speakers will tell stories of resilience through the lenses of their impactful work.
We pay it forward.
10% of proceeds will be donated to Kolkata Sanved, a nonprofit in India using dance and dance therapy as healing and empowerment for survivors of human trafficking and violence. Kolkata Sanved is FREE BODY PROJECT’S current partner in the creation of an awareness raising dance + documentary film.
SATURDAY, December 9, 2017
1 - 5 PM
NEW YORK, NY
6 - 9 PM
NEW YORK, NY
SPEAKERS + INSTRUCTORS
Director of Programs, Philadelphia Folklore Project, dance scholar,
co-editor of, 'Dance, Human Rights, and Social Justice: Dignity in Motion'.
Toni Shapiro-Phim received a PhD in cultural anthropology from Cornell University. Her dissertation, books and other publications focus on the history and cultural context of dance and music around the world, with a specialization in Cambodia, particularly in relation to violence, migration, conflict resolution and gender concerns. She’s held teaching and research appointments at the University of California-Berkeley, Yale University and Bryn Mawr College, and worked in Cambodian, Lao and Vietnamese refugee camps in Indonesia and Thailand. She’s also conducted years of ethnographic research in Cambodia. Co-editor of Dance, Human Rights and Social Justice: Dignity in Motion, she has also contributed to Annihilating Difference: The Anthropology of Genocide and The Choreography of Resolution: Conflict, Movement, and Neuroscience, among other publications. Her most recent book, Talking Dance: Stories from the South China Sea, was published in 2016. Currently serving as Director of Programs at the Philadelphia Folklore Project, a non-profit arts and social justice organization, she curates exhibitions and produces performances, humanities forums and publications highlighting aspects of diverse cultural traditions. She’s completing a documentary film, Because of the War, about Liberian women singers who harness the power of their art for anti-violence efforts.
Artistic Director, Heidi Latsky Dance
Heidi Latsky Dance (HLD) is a not-for-profit organization founded in 2001. Since 2006 the company has incorporated performers with disabilities. The mission of the company is to redefine beauty and virtuosity through performance and discourse, using performers with unique attributes to bring rigorous, passionate and provocative contemporary dance to diverse audiences. HLD has received numerous awards, commissions and residencies, and has toured internationally. ON DISPLAY, HLD's current portfolio of work that began in 2015 when the Mayor's Office for People with Disabilities invited Latsky to participate in the celebration of the 25th Anniversary of the Americans with Disabilities Act, is now a global phenomenon. Recent 2017 performances included the Whitney Museum, The High Line, Lincoln Center, Victory Dance, Cherry Hill in Central Park, King's County Hospital, American Dance Festival, Stavros Niachros Foundation Cultural Center, and Hurleyville Arts Centre, where HLD is the 2016-17 company in residence.
Freelance writer and co-author of 'Wired to Create: Unravelling the Mysteries of the Creative Mind'.
Carolyn Gregoire is a journalist and author living in New York. She worked at The Huffington Post for six years as a reporter covering health and science, and her work has also appeared in publications including Scientific American, TIME, Harvard Business Review, Quartz, Tricycle: The Buddhist Review and Yoga Journal. She is the co-author of Wired to Create: Unravelling the Mysteries of the Creative Mind.
Artistic Director, Liberian Women's Chorus for Change
Fatu Gayflor sang and danced as a member of Liberia’s National Cultural Troupe, the country’s premiere performing arts ensemble, in the 1970s and 1980s. She also became a superstar recording artist. Fatu was known as "Princess Fatu Gayflor, the Golden Voice of Liberia." Indeed, it was the president of Liberia who gave her that name.
She recorded her first two albums of traditional songs in Liberia. Her next recording was made in the Ivory Coast, where she lived for a while in exile following the eruption of the civil war in Liberia. While living in the Ivory Coast and in Guinea (also as a refugee), she was called upon by the United Nations to sing to fellow refugees, thereby re-building community and inspiring hope. She found that at the conclusion of each concert, scores of people, mainly women, would approach her, and they would cry together. They were finding comfort in each other’s tears and arms, and in her music, as the war raged on, and loss and chaos mounted.
Now a resident of the United States, where she has been since 1999, she performs at Liberian community events across the country. In 2013 Fatu co-founded and became the artistic director of the Liberian Women’s Chorus for Change, an ensemble of highly-accomplished Liberian women singers, dancers and songwriters, all based in Philadelphia. Together they perform for local Liberian audiences, providing inspiration and a safe space for discussions of domestic violence and other issues of concern to the community. Fatu has been honored with a Leeway Foundation Transformation Award (2013) and a Pew Fellowship in the Arts (2014). In 2015, she was artist-in-residence at Brandeis University’s Creativity, Arts and Social Transformation program, where she performed and taught in conflict resolution, ethnomusicology, dance and women’s studies classes.
Senior Community Action Manager, Community Action program of Gibney Dance
After completing her primary education at the Royal Academy of Ballet, Yasemin Ozumerzifon moved to the US to study Dance and Psychology at Connecticut College. In order to combine her two passions, she pursued an M.A. at Columbia University in Developmental Psychology with focuses in creativity and human development. During her apprenticeshipat the New Victory Theater, she created a School Tool™ which is a resource guide designed to support the New York City Department of Education’s Blueprint for Teaching and Learning the Arts, and the New York State Learning Standards. Additionally, Yasemin has a background in conducting research which includes assisting a year long study that evaluated Guggenheim Museum’s “Learning Through Art” program. Since 2011, Yasemin has been working as a Community Action Manager at Gibney Dance which is the first program to unite dancers with survivors of domestic violence. Her role at Gibney Dance includes the areas of advocacy, trainings and the Community Action Hub, a physical space dedicated to dance and social action.